Concrete & Steel
Architectural sequences, urban negative space, low-key reportage.
MB has no chromatic accent. The palette is two anchors and a quiet ramp of nine greys — calibrated against the warmth of paper, not the cold of pure neutral.
Ink and Paper. They appear on every surface, in some ratio. The greys live between them.
The ramp is biased two degrees toward warm — to harmonize with paper white and with golden-hour photography. Use sparingly: pick one or two steps per surface, never the whole ladder.
Every surface picks a primary, a secondary, and one accent step from the ramp. Below: the canonical recipes for the three most common contexts.
Approved foreground/background pairings, with WCAG contrast ratios. Anything below 4.5:1 is reserved for non-text decoration.
Each capsule is a four-step extract from the master ramp, named for the subject it tends to live alongside. Capsules govern editorial pairings — they do not replace the master palette.
Architectural sequences, urban negative space, low-key reportage.
Desert work — Liwa, Empty Quarter, the warm half of the ramp.
Coastal sequences, Musandam & the Gulf, cool grey washes.
Hajar mountain ranges, granite atmospherics, high-contrast monochrome.